7 October 2026International edition
Vol. I · No.
7 October 2026
AI in Fashion
DAILY
The daily briefing on AI in the fashion business
Where fashion meets artificial intelligence.
Technology, data and AI

Kerry Murphy

Co-founder and chief executive of The Fabricant

Kerry Murphy is co-founder and chief executive of The Fabricant, the Amsterdam company that started as the first digital-only fashion house and has since become an AI powered design platform for fashion professionals. He matters because he has led one of the few digital fashion pioneers through the shift from virtual garments and Web3 to generative design tools.

Facts
RoleCo-founder and chief executive, The Fabricant
Company founded2018, Amsterdam
Background3D animation and motion graphics
Series A12.8 million euros (2022)
Current focusAI powered fashion design platform

Who is Kerry Murphy?

Kerry Murphy is the founder and chief executive of The Fabricant, a fashion technology company based in Amsterdam. Born in Finland, he left the country in 1995 and built a career in 3D animation and motion graphics before turning to fashion. He co-founded The Fabricant in 2018 with the designer Amber Jae Slooten, and later company coverage also names Adriana Hoppenbrouwer as a co-founder.

Career

Murphy met Slooten at her graduation from the Amsterdam Fashion Institute in 2016, and the two spent around two years developing the idea of a fashion house that would only ever produce digital garments. The Fabricant became known for the line that it "wastes nothing but data and exploits nothing but imagination", a phrase Murphy used to describe its mission in a 2022 interview.

Under his leadership the company has gone through several phases:

  • 2018 to 2019: digital fashion house and agency, including the 2019 blockchain sale of the Iridescence dress
  • 2022: a Series A round of 12.8 million euros led by Greenfield One, with Sound Ventures participating, to build The Fabricant Studio, a platform to create and own digital fashion
  • 2024 to 2026: repositioning as an AI powered design suite that helps professionals visualise collections, digitise fabrics and generate e-commerce assets

Brands named as clients or collaborators include Adidas, Tommy Hilfiger, Under Armour, Puma, H&M, Off-White and Timberland.

Influence on the fashion business

Murphy's influence lies in testing, early and in public, how digital assets can replace or complement physical samples and photography. The Fabricant's path also mirrors the wider market: from enthusiasm for virtual garments and Web3 towards practical AI tools that sit inside existing design and sales workflows.

Kerry Murphy and technology

Technology is the core of Murphy's work. In April 2026 The Fabricant launched Design Forward 26, a global competition giving fashion students and recent graduates access to its AI design platform. Announcing it, Murphy said: "The fashion industry is already being transformed by AI, and the designers who will define its future are studying right now." The competition was framed around the idea that AI should liberate the creative process rather than replace the designer's understanding of what is feasible, and the company presents AI as an integral part of industry workflows rather than a future consideration.

Why it matters

Murphy is one of the founders who has stayed with digital fashion through hype and correction. His company's move into AI design tools offers a reference case for brands considering generative AI for collection development and product imagery.

Frequently asked questions

Who is Kerry Murphy?

Kerry Murphy is co-founder and chief executive of The Fabricant, an Amsterdam fashion technology company founded in 2018. He came to fashion from 3D animation and motion graphics.

What has Kerry Murphy said about AI in fashion design?

Launching The Fabricant's Design Forward 26 competition in April 2026, he said that the fashion industry is already being transformed by AI and that the designers who will define its future are studying now. The competition was built on the idea that AI should liberate the creative process, not replace the designer's understanding of what is feasible.

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